We have always been told that we cannot bring our earthly possessions to the afterworld. Not true! The most fabulous ancient skeletons are discovered. Encrusted with precious stones dating from the Roman Catacombs of the eighteenth century, these lavishly decorated skeletons makes us want to invest in precious jewels more than ever. Found and photographed by historian Paul Koudounaris, these images will be featured in his new book, Heavenly Bodies: Cult Treasures and Spectacular Saints from the Catacombs.
All photos by Paul Koudounaris.
This blogpost is made possible thanks to Jodi Banfield
A struggling town bought itself new hope by painting fake scenes on its walls
A bakery, a bookmaker and a barber have recently appeared in a village in Northern Ireland. But you cannot enter any of them. In a bid to bring in tourists, the town of Bushmills, famous for the whiskey that was first distilled there 400 years ago, has painted over a dozen abandoned storefronts and houses.
There are windows and doors with people looking out, a bakery with an appetizing selection of bread and cakes, and a traditional cobbler, where a man in a flat cap can be seen mending shoes.
It’s not the first time Northern Ireland has tried this. A similar attempt to doll up villages in county Fermanagh so that visiting G8 leaders wouldn’t see how woeful the region looked drew anger and derision; “cosmetic surgery for serious wounds,” one local resident said. But in Bushmills, local residents raised their own funds to add to government money, and the project’s been a success, a local councillor told Reuters; two of the painted stores have already found new owners.
The original article is taken from qz.com. All photos by Cathal McNaught for Reuters.
Following the artworks series we make for the NYC based magazine BULLETT, we lately illustrated the interview of rapper Riff Raff.
We were inspired by his biggest dream of swimming in a spaghetti meatball. We dared ourselves to make a surface that even Riff Raff would look minimalist next to his version of Pinar&Viola. He called it Rap Game Picasso, the ultimate work title given to us so far.
Decoden comes from Japan, it’s a form of contemporary craftsmanship that’s focused on the decoration of technological devices. One of the possible embellishment themes of Decoden is pastry: sweet decorations turn mobile devices in faux-desserts. Realistic looking whipped cream, fruits, chocolate bars and cookies transform your mobile phone in a decadent piece of eye candy. With this candy you don’t need to worry about calories, however, if your mobile cake makes your mouth water, see it as the perfect moment to inhale some vapor candy. No need for chewing, just continue your phone conversation.
We bumped into Decoden while looking for visual elements for a new project we are currently working on with fashion designers MarryMe-JimmyPaul. We gave form to the catwalk of their upcoming show which will open the Amsterdam Fashion Week. Very soon we will upload the result!
The scarf wants to expose the benefits of the alternatives for real fur in fashion by showing the beauty of the unnatural and the artifice. In order to symbolize the endless possibilities of artificial fur, we made the entire panthera family parade on a fashionable scarf. Blood drips of the anti fur campaigns are replaced by stains of rainbow colors ornamenting the panthers’ fur. The print displays an optical illusion of rounds that mimic a cut on the surface of the scarf. Utterly fake fur strains are peaking out of these graphical rounds; proud to be fake.
Bont voor Dieren (Fur for Animals) is a Dutch animal protection organization dedicated to the rights and protection of all fur-bearing animals. They campaign against the production and use of fur by raising public awareness on issues such as animal cruelty and welfare. Bont door Dieren supports Fur Free, an initiative by Jojanneke van der Veer and Femke Dekker. Fur Free organizes Fur Free shows, Fur Free exhibitions, publish Fur Free magazines and write Fur Free manifesto’s.
The Fur Free Scarf is part of the exhibition PROTEST!. Fur Free invited print- and graphic designers to come up with their very own iconic Fur Free protest poster. Participating designers are: Alex Kaséta, And Beyond, Antoine Peters, Bas Kosters, Bart de Baets, Experimental Jetset, Glamcult Studio, Hansje van Halem, Karen van de Kraats, Nicole Martens, Nieuw Jurk and Our Polite Society. The exhibition is on from January 21st till January 26th, all designs will be on view at De Slang, one of Amsterdam’s oldest squats on Spuistraat 199.
Photos of the opening by Mgr Madhatter:
For the December issue, BULLETT Magazine interviewed sensational Courtney Stodden and her mother. We made the artwork illustrating the article. A year ago Courtney made the headlines with marrying Doug Hutchison at the age of 17. She is quite loud about her religious beliefs, putting an emphasis on God being her only plastic surgeon. While respecting her Christian beliefs (in glitter) we played with her teenager meets woman, playboy looks meets church aesthetics, coming together with her infamous prune lips and her fashion.
This entry was written by Decadence, Ecstatic Surface Design, Gender, Ghetto gold, Glam Chaos, Graphic design, Pinar&Viola, Published, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on December 16, 2012 at 3:37 pm, filed under
New York-based producer and DJ Brenmar creates his bassy trademark sound by mixing up house music with R&B and hip hop, clearly drawing on his influences from growing up in Chicago during the 90s – yesterday Dazed Digital premiered his brand new track “BF/GF”, with the album artwork we designed and our online love message service, 4eva. The very talented Brenmar wanted us to hand tailor an haute fashion cover for him. We offered him a cyclopean ghetto gold-ruby diamond wrapped in a Cartier à la Pinar&Viola jewel Box. The song is now the over and over of the studio. You can download it here.
This entry was written by Craftsmanship, Decadence, Digitalization, Ecstatic Surface Design, Friends, Ghetto gold, Graphic design, Music, Pinar&Viola, Published, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on December 11, 2012 at 9:25 am, filed under
This pattern we made for This is Chrous is inspired by skeuomorphs, which are visual information appendixes. Please see the blogpost we made a year ago investigating examples of it.
This is Chrous is a freshly debuting Fashion brand from Melbourne, Australia. They express that their agency lies in the ‘inbetween’, both that moment of contradiction when serious bursts with humour, and the instant old becomes new.
Please visit their page for more information and for further inquiries and orders please contact Cassandra Wheat.
For the ones who follow us in instagram (pinar_and_viola), as soon as we receive the garments, we’ll put self-mirror shots covered in the pattern we designed. : )
We recently made a Adididas post, under the category, Research where we gathered bootleg version of the trefoil logo. The research was meant for a project we were hand crafting for Adidas. When they asked us to make a pattern, we took the chance to make a Ghetto-glam-didas version of the brand. Please look closer to the ecstatic pattern.
This entry was written by Craftsmanship, Decadence, Dematerialization, Digitalization, Ecstatic Surface Design, Ghetto gold, Pinar&Viola, Published, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on November 27, 2012 at 10:10 am, filed under
Our dear friends in Dazed invited us to be a guest contributors to their blog. From November on, we’ll have a monthly post about digital folk. As our first, we present you Turkey’s anti-evolutionist showgirls. An Islamist fringes wraps its hard anti-Darwin message in skin-tight Versace, drag-queen make-up and po-mo posing.
For November, we briefly present a female creationist ensemble from Turkey. These girls have proven that Islam, sexual objectification, passion, belief, tabloidization, manipulation, anti-Darwin and Versace can come together. Five Turkish bombshells, they are often referred as the girls, angels or kitten of Adnan Oktar, a self-taught Islamic preacher who gained respect for his fervent Creationist teachings. He presents his beliefs as a reformed and urbanized versions of Islam, where he clearly states Muslims, Christians and Jews should unite against the corrupting influence of Darwinism. He is also the author of the books Atlas of Creation Quadriology, an anti-evolution, Islamic-saga bouillabaisse. It displays a stunning ignorance of basic biology, and 6 legged humans skeleton visualizations are among the arguments that are employed to contradict Darwin.
This fabulous five consists of Gülşah Güçyetmez, Ceylan Özbudak, Ebru Altan, Damla Pamir and Aylin Kocaman. They are the bewildering accessories of the TV Show Adnan Oktar Chat Time at the religious channel A9. Every night these blazing women come together with the Islamic Creation packmaster Mr. Oktar. They hold discussions about Islam, pseudo-insta-fossils discrediting evolution and their favorite topic: Mr. Oktar.
This surreal set-up might be hard to grasp for a non-Turkish person. (One half of Pinar&Viola is Turkish). These woman contradict the terrorized image of Muslims used in the global press, while going completely against all the hardwork feminist activists have been battling over the years. While the restrictive state of Turkish journalism grows into a national shame, scandal and sensation still makes up a huge part of the Turkish media. Five voluptuous ladies with a combination of Zentai-tight, now-in-style Versace garments and make-up capable of making drag queens jealous, rubbing shoulders with religious sisterhood, and many references to history’s matriarchs.
These five women state they behave following the ethics of Kur’an, where it’s written the ones Allah guides look alike, as a reaction to questions regarding their similar looks. All of these girls have their own individual social media stardoms where they make loud manifestations adding to their media attention.
It’s not the first time that sensationalism, lies and cheap entertainment have been used to boost the ratings of a TV program, especially not in Turkey. That’s why the educated, intellectual, secular part of the Turkish population became completely immune to this first-degree propaganda. Their solution is simple, and troublesome – make fun of it.
This entry was written by Decadence, Dematerialization, Fashion, Folk, Friends, Ghetto gold, Glam Chaos, Other ecstatics, P&V for Dazed Digital, Persona, Pinar&Viola, Published, Various, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on November 21, 2012 at 11:05 am, filed under
The Master, the highly expected movie ‘loosely-based’ on Scientology by Paul Thomas Anderson, will be screening soon. We took this opportunity to remind ourselves of the Scientology’s well-calculated totalitarian identity which gives us the creeps.
«By lowering the endurance of a person, a group, or nation, and by constant degradation and defamation, it is possible to induce, thus, a state of shock which will receive adequately any command given.» — L. Ron Hubbard, “Brainwashing Manual”, p. 34.
In 1951, Hubbard introduced the electropsychometer (E-meter for short), a kind of galvanometer, as an auditing aid. Based on a design by Hubbard, the device is held by Scientologists to be a useful tool in detecting changes in a person’s state of mind.
The controversies involving the Church and its critics, some of them ongoing, include:
-Scientology’s disconnection policy, in which members are encouraged to cut off all contact with friends or family members who are “antagonistic” to Scientology.
-The death of a Scientologist Lisa McPherson while in the care of the Church. (Robert Minton sponsored the multi-million dollar law suit against Scientology for the death of McPherson. In May 2004, McPherson’s estate and the Church of Scientology reached a confidential settlement.)
-Criminal activities committed on behalf of the Church or directed by Church officials (Operation Snow White, Operation Freakout).
-Conflicting statements about L. Ron Hubbard’s life, in particular accounts of Hubbard discussing his intent to start a religion for profit and of his service in the military.
-Scientology’s harassment and litigious actions against its critics encouraged by its Fair Game policy.
-Attempts to legally force search engines such as Google and Yahoo! to omit any webpages critical of Scientology from their search engines (and in Google’s case, AdSense), or at least the first few search pages.
-Allegations by former high-ranking Scientologists that David Miscavige beats and demoralizes staff and that physical violence by superiors towards staff working for them is a common occurrence in the church. Scientology spokesman Tommy Davis denied these claims and provided witnesses to rebut them.
-In October 2009, a French court found the Church of Scientology guilty of organized fraud. Four officers of the organization were fined and given suspended prison sentences of up to 2 years. The Church of Scientology said it would appeal the judgment. Prosecutors had hoped to achieve a ban of Scientology in France, but due to a temporary change in French law, which “made it impossible to dissolve a legal entity on the grounds of fraud”, no ban was pronounced. The sentence was confirmed by appeal court in February 2012.
-In November 2009, Australian Senator Nick Xenophon used a speech in Federal Parliament to allege that the Church of Scientology is a criminal organization. Based on letters from former followers of the religion, he said that there were “allegations of forced imprisonment, coerced abortions, and embezzlement of church funds, of physical violence and intimidation, blackmail and the widespread and deliberate abuse of information obtained by the organization”
A controversial part of the Scientology justice system is the Rehabilitation Project Force (RPF). When a Sea Org member is accused of a violation, such as lying, sexual misconduct, dereliction of duty, or failure to comply with Church policy, a Committee of Evidence examines the case. If the charge is substantiated, the individual may accept expulsion from the Sea Org or participate in the RPF to become eligible to rejoin the Sea Org. The RPF involves a daily regimen of five hours of auditing or studying, eight hours of work, often physical labor, such as building renovation, and at least seven hours of sleep. Douglas E. Cowan and David G. Bromley state that scholars and observers have come to radically different conclusions about the RPF and whether it is “voluntary or coercive, therapeutic or punitive”.
«Rehabilitation Project Force, the cult’s internal gulag where bad people are sent for punishment or “rehabilitation”; a brain washing and penal organization.» — The ARS Acronym/Terminology FAQ v3.5 by Martin Hunt.
This entry was written by Dematerialization, Fashion, Glam Chaos, Information Wars, Other ecstatics, Political glam, Trending, Various, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on November 16, 2012 at 10:36 am, filed under
Nike+ 21-Karat shows a Pinar&Viola version of the running experience in the future, through the eyes of a girl using the Nike+ App. Being inspired of Saar Koningsberger’s diverse interests, multitasking wonders, qualities and connectivity, they fantasized a 2.40 minute run where she has an ecstatic visual experience and where the run is enhanced with personalized graphical motivations and challenges.
This fictive, phantasmagoric-speculative imagery, mingled with realistic future predictions is made as a contribution to the Romance of Running exhibition, organized by Nike within the framework of London 2012 Olympics. The exhibition took place at the old Film Museum in Vondelpark, Amsterdam, in August-September 2012.
This entry was written by Amsterdam, Decadence, Digitalization, Ecstatic Surface Design, Exhibition, Glam Chaos, Pinar&Viola, Video, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on October 29, 2012 at 2:40 pm, filed under