IKEA commissioned Pınar&Viola to create a collection of prints under their name, to go on a wide variety of IKEA products, as a part of their Limited Print Collection. On 8th of June, during Democratic Design Days in IKEA Headquarters in Almhult, Sweden, the prototypes of the collection were presented to a group of 250 journalists.
IKEA asked Pınar&Viola to create prints that would attract, inspire, and surprise people all over the world. They wanted prints which would make them dream. To respond to IKEA’s wish, P&V created a collection which is an invitation to embrace the stranger, the unknown, the alien. A collection to celebrate similarities and differences. A collection to make people fantasise about social and planetary justice, through mythical animals and creatures. A collection to embrace the other. These themes are embodied in the four worlds: forest creatures, sweet alien, birds and the bees, and Gaudi giraffe.
The collection will be launched worldwide on June 2017. If you wish to know more about this collection don’t hesitate getting in touch with us: firstname.lastname@example.org
This entry was written by Creatures, digital craft, Ecstatic Surface Design, Pinar&Viola, Prints and Patterns, Published, Things 'n Flings, Trending, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on June 15, 2016 at 1:38 pm, filed under
As part of ArtCOP21, the art events surrounding the ecology summit COP21, our installation Mother Earth in Paris was shown in Gleichapel Gallery in Marais. The exhibition features an installation that unveils revamped, contemporary, environmentalist messages of peace.
Through a video installation, Mother Earth reveals her grace and wisdom on a screen surrounded by prints having elements varying from Voynich Manuscript, root vegetables, peace banners, BC cave drawings of astral travels and liquid and sensual Mother Earth. With this eclectic choice of imagery, we show that the more we are driven by technology, the more we strive for knowledge and for the recognition of the sacredness of nature.
As we recently pledged in our Artist Statement, we’ll be devoting our work in creating highly aesthetic, charismatic activisms which will offer irresistible invitations for a more truthful and humane future. Mother in Paris is the first work we created after this altruistic pledge. Hereby the thorough interview we gave to Dazed about Mother Earth.
Later on, for MTV, as their ident, we created special extracts of our Mother Earth in Paris video, with custom wisdom quotes given by the Mother Goddess, where the Mother Earth catches your gaze and asks you “Who are you when no body is watching you”.
This entry was written by Art, digital craft, Digitalization, Ecstatic Surface Design, Exhibition, Fashion, Lifestyle, Natural, Paris, Pinar&Viola, Prints and Patterns, Published, Things 'n Flings, Vernissage, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on April 11, 2016 at 2:13 pm, filed under
We have always been told that we cannot bring our earthly possessions to the afterworld. Not true! The most fabulous ancient skeletons are discovered. Encrusted with precious stones dating from the Roman Catacombs of the eighteenth century, these lavishly decorated skeletons makes us want to invest in precious jewels more than ever. Found and photographed by historian Paul Koudounaris, these images will be featured in his new book, Heavenly Bodies: Cult Treasures and Spectacular Saints from the Catacombs.
All photos by Paul Koudounaris.
This blogpost is made possible thanks to Jodi Banfield
A struggling town bought itself new hope by painting fake scenes on its walls
A bakery, a bookmaker and a barber have recently appeared in a village in Northern Ireland. But you cannot enter any of them. In a bid to bring in tourists, the town of Bushmills, famous for the whiskey that was first distilled there 400 years ago, has painted over a dozen abandoned storefronts and houses.
There are windows and doors with people looking out, a bakery with an appetizing selection of bread and cakes, and a traditional cobbler, where a man in a flat cap can be seen mending shoes.
It’s not the first time Northern Ireland has tried this. A similar attempt to doll up villages in county Fermanagh so that visiting G8 leaders wouldn’t see how woeful the region looked drew anger and derision; “cosmetic surgery for serious wounds,” one local resident said. But in Bushmills, local residents raised their own funds to add to government money, and the project’s been a success, a local councillor told Reuters; two of the painted stores have already found new owners.
The original article is taken from qz.com. All photos by Cathal McNaught for Reuters.
Following the artworks series we make for the NYC based magazine BULLETT, we lately illustrated the interview of rapper Riff Raff.
We were inspired by his biggest dream of swimming in a spaghetti meatball. We dared ourselves to make a surface that even Riff Raff would look minimalist next to his version of Pinar&Viola. He called it Rap Game Picasso, the ultimate work title given to us so far.
Decoden comes from Japan, it’s a form of contemporary craftsmanship that’s focused on the decoration of technological devices. One of the possible embellishment themes of Decoden is pastry: sweet decorations turn mobile devices in faux-desserts. Realistic looking whipped cream, fruits, chocolate bars and cookies transform your mobile phone in a decadent piece of eye candy. With this candy you don’t need to worry about calories, however, if your mobile cake makes your mouth water, see it as the perfect moment to inhale some vapor candy. No need for chewing, just continue your phone conversation.
We bumped into Decoden while looking for visual elements for a new project we are currently working on with fashion designers MarryMe-JimmyPaul. We gave form to the catwalk of their upcoming show which will open the Amsterdam Fashion Week. Very soon we will upload the result!
The scarf wants to expose the benefits of the alternatives for real fur in fashion by showing the beauty of the unnatural and the artifice. In order to symbolize the endless possibilities of artificial fur, we made the entire panthera family parade on a fashionable scarf. Blood drips of the anti fur campaigns are replaced by stains of rainbow colors ornamenting the panthers’ fur. The print displays an optical illusion of rounds that mimic a cut on the surface of the scarf. Utterly fake fur strains are peaking out of these graphical rounds; proud to be fake.
Bont voor Dieren (Fur for Animals) is a Dutch animal protection organization dedicated to the rights and protection of all fur-bearing animals. They campaign against the production and use of fur by raising public awareness on issues such as animal cruelty and welfare. Bont door Dieren supports Fur Free, an initiative by Jojanneke van der Veer and Femke Dekker. Fur Free organizes Fur Free shows, Fur Free exhibitions, publish Fur Free magazines and write Fur Free manifesto’s.
The Fur Free Scarf is part of the exhibition PROTEST!. Fur Free invited print- and graphic designers to come up with their very own iconic Fur Free protest poster. Participating designers are: Alex Kaséta, And Beyond, Antoine Peters, Bas Kosters, Bart de Baets, Experimental Jetset, Glamcult Studio, Hansje van Halem, Karen van de Kraats, Nicole Martens, Nieuw Jurk and Our Polite Society. The exhibition is on from January 21st till January 26th, all designs will be on view at De Slang, one of Amsterdam’s oldest squats on Spuistraat 199.
Photos of the opening by Mgr Madhatter:
For the December issue, BULLETT Magazine interviewed sensational Courtney Stodden and her mother. We made the artwork illustrating the article. A year ago Courtney made the headlines with marrying Doug Hutchison at the age of 17. She is quite loud about her religious beliefs, putting an emphasis on God being her only plastic surgeon. While respecting her Christian beliefs (in glitter) we played with her teenager meets woman, playboy looks meets church aesthetics, coming together with her infamous prune lips and her fashion.
This entry was written by Decadence, Ecstatic Surface Design, Gender, Ghetto gold, Glam Chaos, Graphic design, Pinar&Viola, Published, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on December 16, 2012 at 3:37 pm, filed under
New York-based producer and DJ Brenmar creates his bassy trademark sound by mixing up house music with R&B and hip hop, clearly drawing on his influences from growing up in Chicago during the 90s – yesterday Dazed Digital premiered his brand new track “BF/GF”, with the album artwork we designed and our online love message service, 4eva. The very talented Brenmar wanted us to hand tailor an haute fashion cover for him. We offered him a cyclopean ghetto gold-ruby diamond wrapped in a Cartier à la Pinar&Viola jewel Box. The song is now the over and over of the studio. You can download it here.
This entry was written by Craftsmanship, Decadence, Digitalization, Ecstatic Surface Design, Friends, Ghetto gold, Graphic design, Music, Pinar&Viola, Published, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on December 11, 2012 at 9:25 am, filed under
This pattern we made for This is Chrous is inspired by skeuomorphs, which are visual information appendixes. Please see the blogpost we made a year ago investigating examples of it.
This is Chrous is a freshly debuting Fashion brand from Melbourne, Australia. They express that their agency lies in the ‘inbetween’, both that moment of contradiction when serious bursts with humour, and the instant old becomes new.
Please visit their page for more information and for further inquiries and orders please contact Cassandra Wheat.
For the ones who follow us in instagram (pinar_and_viola), as soon as we receive the garments, we’ll put self-mirror shots covered in the pattern we designed. : )
We recently made a Adididas post, under the category, Research where we gathered bootleg version of the trefoil logo. The research was meant for a project we were hand crafting for Adidas. When they asked us to make a pattern, we took the chance to make a Ghetto-glam-didas version of the brand. Please look closer to the ecstatic pattern.
This entry was written by Craftsmanship, Decadence, Dematerialization, Digitalization, Ecstatic Surface Design, Ghetto gold, Pinar&Viola, Published, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on November 27, 2012 at 10:10 am, filed under