Nature’s paintings preserved in stone
Pietra paesina, also called ‘landscape stone’, ‘ruin stone’, ‘ruiniform marble’ and ‘Florentine marble’, is collected for centuries. It’s a kind of limestone of which the natural veins of the rock have arranged themselves in shapes of city skylines, landscapes and ruins. The limestone needs to be cut into slabs and polished before it will reveal it’s mysterious paintings.
As part of New York textile Month, we made a collaboration with the super fun Print All Over Me from New York! We gave them our Healing Prints and they made items where you can spread healing in your everyday life. Sweatshirts, tablecloths, tote bags, clutches, with our prints varying from Mother Earth to Sexual Healing, Emancipation of Flowers to Silent Print. Last week, June 24th marked the celebration of our collaboration. The New Yorker boutique, Coming Soon in Lower East side hosted our opening, where we set up a healing oasis! Our Healing Prints that you can order on POAM’s website, were presented alongside with 2 teepees and peace flags, cushions and curtains which created an ambiance of zen and tranquility. An aestheticised oasis in the midst of our metropolic hectic lives. Thank you everyone who were there to celebrate it with us. The exhibition is open for a week more.
The scenography of our exhibition was designed by Haddock Studio, and the VR Oasis in the installation is made by James Orlando.
This entry was written by Art, Craftsmanship, digital craft, Ecstatic Surface Design, Exhibition, Lifestyle, Pinar&Viola, Prints and Patterns, Styling, Surface Collection, Vernissage, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on September 27, 2016 at 9:27 am, filed under
The way fashion designers launch collections where they showcase the near-future of clothing, our studio yearly launches collection where we showcase the near-future of images. Followed by our artist statement about our devotion to social and planetary justice, we digitally crafted a collection where we made prints and garments that revitalise and celebrate the sacredness of nature. Pinar&Viola Healing Prints is a collection of rebellious visuals fabricated into unique fashion statements.
We would like to thank Stimuleringsfonds for their generous support in making this collection happen. The pictures of The Mother Earth Dress is taken by Thomas Vassarot and the rest of the healing prints is photographed by Wendelin Spiess
This entry was written by Art, Craftsmanship, Ecstatic Surface Design, Fashion, Paris, Pinar&Viola, Prints and Patterns, Surface Collection, Uncategorized, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on July 20, 2016 at 4:02 pm, filed under
IKEA commissioned Pınar&Viola to create a collection of prints under their name, to go on a wide variety of IKEA products, as a part of their Limited Print Collection. On 8th of June, during Democratic Design Days in IKEA Headquarters in Almhult, Sweden, the prototypes of the collection were presented to a group of 250 journalists.
IKEA asked Pınar&Viola to create prints that would attract, inspire, and surprise people all over the world. They wanted prints which would make them dream. To respond to IKEA’s wish, P&V created a collection which is an invitation to embrace the stranger, the unknown, the alien. A collection to celebrate similarities and differences. A collection to make people fantasise about social and planetary justice, through mythical animals and creatures. A collection to embrace the other. These themes are embodied in the four worlds: forest creatures, sweet alien, birds and the bees, and Gaudi giraffe.
The collection will be launched worldwide on June 2017. If you wish to know more about this collection don’t hesitate getting in touch with us: firstname.lastname@example.org
This entry was written by Creatures, digital craft, Ecstatic Surface Design, Pinar&Viola, Prints and Patterns, Published, Things 'n Flings, Trending, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on June 15, 2016 at 1:38 pm, filed under
As part of ArtCOP21, the art events surrounding the ecology summit COP21, our installation Mother Earth in Paris was shown in Gleichapel Gallery in Marais. The exhibition features an installation that unveils revamped, contemporary, environmentalist messages of peace.
Through a video installation, Mother Earth reveals her grace and wisdom on a screen surrounded by prints having elements varying from Voynich Manuscript, root vegetables, peace banners, BC cave drawings of astral travels and liquid and sensual Mother Earth. With this eclectic choice of imagery, we show that the more we are driven by technology, the more we strive for knowledge and for the recognition of the sacredness of nature.
As we recently pledged in our Artist Statement, we’ll be devoting our work in creating highly aesthetic, charismatic activisms which will offer irresistible invitations for a more truthful and humane future. Mother in Paris is the first work we created after this altruistic pledge. Hereby the thorough interview we gave to Dazed about Mother Earth.
Later on, for MTV, as their ident, we created special extracts of our Mother Earth in Paris video, with custom wisdom quotes given by the Mother Goddess, where the Mother Earth catches your gaze and asks you “Who are you when no body is watching you”.
This entry was written by Art, digital craft, Digitalization, Ecstatic Surface Design, Exhibition, Fashion, Lifestyle, Natural, Paris, Pinar&Viola, Prints and Patterns, Published, Things 'n Flings, Vernissage, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on April 11, 2016 at 2:13 pm, filed under
Our latest digitale couture became physical French couture!!!?
Kocher aims to bring together a vision of urbane contemporary dressing spliced with the exquisite crafts seldom harnessed in the real world. “It’s a melting pot of Parisian romance, Asian color-clash, the New Yorker’s cool sportswear. There are easy nylon track pants and dresses requiring hours of embroidery to create,” the designer said, as her chill cast milled around in the corridor. Point in case, a lightweight parka delicately fringed with feathers, bejeweled crop tops, or fantastic low riding jeans with a singlet one-piece. Everywhere, pseudo ethnic silver jewelry (if your tribe is the neo-raver one) twinkled and tinkled.
This is the don’t-care-for-gender dress form of athleisure, a savant mixture of the trappings of 1980s, 1990s sportswear combined with the craftsmanship of couture.
All of it smacked of questionable youthful taste, but that would be missing the painstaking attention to details where snobbery might only see dubiously printed polyester and lurid laces. By deploying the arsenal of age-old crafts on the synthetic and man-made, is Kocher breaking the last taboo, or bridging a divide no longer necessary? For the Willow and Jaden Smith generation, Koché is exactly what couture means.