The scarf wants to expose the benefits of the alternatives for real fur in fashion by showing the beauty of the unnatural and the artifice. In order to symbolize the endless possibilities of artificial fur, we made the entire panthera family parade on a fashionable scarf. Blood drips of the anti fur campaigns are replaced by stains of rainbow colors ornamenting the panthers’ fur. The print displays an optical illusion of rounds that mimic a cut on the surface of the scarf. Utterly fake fur strains are peaking out of these graphical rounds; proud to be fake.
Bont voor Dieren (Fur for Animals) is a Dutch animal protection organization dedicated to the rights and protection of all fur-bearing animals. They campaign against the production and use of fur by raising public awareness on issues such as animal cruelty and welfare. Bont door Dieren supports Fur Free, an initiative by Jojanneke van der Veer and Femke Dekker. Fur Free organizes Fur Free shows, Fur Free exhibitions, publish Fur Free magazines and write Fur Free manifesto’s.
The Fur Free Scarf is part of the exhibition PROTEST!. Fur Free invited print- and graphic designers to come up with their very own iconic Fur Free protest poster. Participating designers are: Alex Kaséta, And Beyond, Antoine Peters, Bas Kosters, Bart de Baets, Experimental Jetset, Glamcult Studio, Hansje van Halem, Karen van de Kraats, Nicole Martens, Nieuw Jurk and Our Polite Society. The exhibition is on from January 21st till January 26th, all designs will be on view at De Slang, one of Amsterdam’s oldest squats on Spuistraat 199.
Photos of the opening by Mgr Madhatter:
Our Overlays are inspired by trompe-l’oeil, a classical painting technique that creates optical illusions. Trompe-l’oeils were popular among Baroque artists. The paintings deceived the viewer’s senses while the artists playfully explored the boundaries between image and reality on their canvas. As Pinar&Viola, our canvas is the internet and the web shows that, today the boundaries of image and reality, the actual and the virtual, are blurred away.
A special section of internet’s images are results of everyday digital gestures like a self-portrait, in netspeak labeled as a ‘selfie’. These self-aware selfies are our daily optical illusions that deceive the senses of our Facebook friends. Our profile pictures reveal, as much as they hide, our persona. Our tromple-l’oeil webcam Overlays are digitally crafted devotions of these carefully constructed acts of self-design. These illusionary sceneries are heavily inspired by digital folklore imagery like desktop wallpapers, GIF animations and fantasy web art.
Go to Overlayer.com and turn into a bright blue waterfall, a swamp oracle, a sadomasochistic fire spitting demon and more. The transformative pixels are only one click away, please share your selfies with us!!!
The Bieber smoking weed pictures caused a bloody online Twitter hoax. A group of pranksters, most probably from 4chan, posing as Belieber fans started #CuttingForBieber. It’s an attempt to stimulate Beliebers to cut themselves in order to make Bieber stop smoking weed.
In our 2nd column @ DazedDigital we wonder about sneakerslaves, a very particular sort of shoe fetishism; men that are licking and sniffing high tech sportswear in the dark corners of the internet.
Extraordinary fanatical identities, lifestyle desires and corrupted commodities are some of our biggest inspirations. As artist and designers we’re always attracted by cultural excesses. That’s where the beauty and the horror of present time shines out in it’s optimum. This time we found beauty behind the hidden doors of the booming world of sneakers, one of the lasting veteran icons of American consumer culture.
When I meet an attractive boy, his shoes are the first thing I look at. We all know that you can tell so much about a person by what they wear on their feet. Apparently I’m not the only one. Shoes carry sexual connotations in mainstream culture. There is nothing scandalous about stilettos being marketed as sexy.High heels are a widely accepted vanilla expression of shoe fetishism.
Yet the persuasive power of sports footwear has caused the rise of darkrooms within sneaker culture. In the dark zones of the sneaker cult, fanatics enjoy intimacy with stylish kicks on their feet and in their mouth. The iconoclastic twist of a sneakerhead making love to his sneaker could be the ultimate case of a shopper and a product becoming one, surrendered in manic mutual adoration.
We were introduced to the term sneakerslaves via a friend. After a little bit of XX-browsing we found the Tumblrs Sneaker Fetish, Sk8terboy and a Dutch sneaker fetish wikipedia page. The page informs us that most trainer fetishists, gay men and straight men, are based in France, Germany, Belgium and The Netherlands. Common forms of sneaker fetishism are worshipping, licking and sniffing sneakers. Shoeslaves also swap each other’s sneakers, or eat food out of their kicks.
These fetishists provide images that make our hearts beat faster. For once the bad boys – always dressed to kill – aren’t depicted in the expected realm of a street fight, a shady strip club, or in a sweaty six-pack workout scenario. In these counter-glamour images of tough boys showing their soft side, while sensually sniffing their pricey sneakers with attention and adoration.
These boys show that shoe fetishism goes beyond thigh-length leather boots, killer heels and kinky combat boots. A special place in this list is taken by our daily hot kicks, the training shoe. Thanks to the mixture of pop culture, nostalgia, strong brand-creation, high tech designs and constant launch of new models, the sneaker reached a popularity that crossed all the lines of race and economic classes. A niche of consumers turned into sneakerheads, and a niche of sneakerheads turned into sneakerslaves.
The affection of urban youth for their sneakers is one of true love. One of the reasons they love their kicks so much is that the footwear embodies cultural and personal transcendence. The right pair of sneakers associates the wearer with extraordinary athletic accomplishments while exclusive special editions seem to have the power to establish an identity in a world where all the same things seem to be available everywhere. Rare models encourage the sneaker freaks to compete with each other. The shoes seem worth the investment. They have the ability to retain or increase in value despite being used. Actually, many sneakerheads don’t mind rocking some classics that look a little worn-in. This kind of tolerance and compassion for a pair of shoes can flame up to an extreme. The look, the feel and the smell of brand new and/or worn sneakers, can cause an adoration that blurs out the line between sneaker freaks and sneaker fetishists.
This entry was written by P&V for Dazed Digital, Pinar&Viola, Published, Subculture and tagged Dazed & Confused, fetish, Nike, sneaker, sneakerfreak, sneakerhead, sneakerslaves. Leave a comment or view the discussion at the permalink., posted on January 2, 2013 at 8:42 am, filed under