Installation by Pinar&Viola at 12 Mail gallery, 12 RUE DU MAIL, 75002 PARIS
OPENING: 28 APRIL – STARTING FROM 6PM
The expo is on from the 28th of April till the 12th of May 2017
Pinar&Viola’s Recharge Station, will make you rediscover the value of something very simple, innocent and romantic as a tent. Recharge Station offers a contrast with our metropolic-forever-connected-lives. In this exhibition you can immerse yourself in a personal space constructed of wood and textile carrying Healing Prints. Recharge Station is inspired by how we used to construct blanket forts like when we were kids…
More info on: www.12mail.fr
As Pinar&Viola, we were asked by Adidas Head Quarters in Germany, to rejuvenate their archival imagery. The assignment has been given by the beginning of 2016 in order to create intrigue for their flagship store in NYC which opened last week (beginning December 2016). During theis project, we payed regular visit to Adidas Headquarters in Herzogenaurach and befriended the curator of their archives.
As a result, we created a collection of images where adidas athletes come together in a ground with no space, time and gender. Inspired by Adidas’ innovation politcy, future-craft, we digitally hand crafted these images which would inspire sportsman of all age background for a stylistic and energetic way forward.
The images carry superstar athletes such as Derek Rose, Kareem Abdul-Jabbar, James Harden, Jessica Ennis-Hill, Stan Smith, Zidane, Messi, together with the founder of Adidas, Adi Dassler.
This project was meant to go on the walls of their flagship store, on 5th avenue New York, yet because of change of direction, they remained as an internal vision-inspiration for Adidas.
As part of New York textile Month, we made a collaboration with the super fun Print All Over Me from New York! We gave them our Healing Prints and they made items where you can spread healing in your everyday life. Sweatshirts, tablecloths, tote bags, clutches, with our prints varying from Mother Earth to Sexual Healing, Emancipation of Flowers to Silent Print. Last week, June 24th marked the celebration of our collaboration. The New Yorker boutique, Coming Soon in Lower East side hosted our opening, where we set up a healing oasis! Our Healing Prints that you can order on POAM’s website, were presented alongside with 2 teepees and peace flags, cushions and curtains which created an ambiance of zen and tranquility. An aestheticised oasis in the midst of our metropolic hectic lives. Thank you everyone who were there to celebrate it with us. The exhibition is open for a week more.
The scenography of our exhibition was designed by Haddock Studio, and the VR Oasis in the installation is made by James Orlando.
This entry was written by Art, Craftsmanship, digital craft, Ecstatic Surface Design, Exhibition, Lifestyle, Pinar&Viola, Prints and Patterns, Styling, Surface Collection, Vernissage, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on September 27, 2016 at 9:27 am, filed under
The way fashion designers launch collections where they showcase the near-future of clothing, our studio yearly launches collection where we showcase the near-future of images. Followed by our artist statement about our devotion to social and planetary justice, we digitally crafted a collection where we made prints and garments that revitalise and celebrate the sacredness of nature. Pinar&Viola Healing Prints is a collection of rebellious visuals fabricated into unique fashion statements.
We would like to thank Stimuleringsfonds for their generous support in making this collection happen. The pictures of The Mother Earth Dress is taken by Thomas Vassarot and the rest of the healing prints is photographed by Wendelin Spiess
This entry was written by Art, Craftsmanship, Ecstatic Surface Design, Fashion, Paris, Pinar&Viola, Prints and Patterns, Surface Collection, Uncategorized, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on July 20, 2016 at 4:02 pm, filed under
Our studio designed the world’s first holographic catwalk for a virtual fashion line, all showcased on a real model, during Amsterdam Fashion week in July 2016. With this technology, we mimicked what Google’s Magic Leap will make us experience in the upcoming years. As for the future of fashion, we believe that people buy, throw, and mistreat their clothing because we do not feel connected with the inanimate objects around us. That is the reason why, with this catwalk experience, we made people emphasise with their clothing the way they do with their friends, where we visualised the spirit of the clothing.
Through animism, we gave life to the fashion line of Amber Slooten by adding facial characteristics like mouths and eyes and interactions between the dress and the model. You can find more information about this project on our interview in The Creators Project, and watch the making off of the hologram here.
This entry was written by Art, Dematerialization, digital craft, Digitalization, Ecstatic Surface Design, Glam Chaos, Lifestyle, Pinar&Viola, Things 'n Flings, Trending, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on at 2:25 pm, filed under
Auction Healing Prints — Paris, 29th of June 2016
The way fashion designers launch collections where they showcase the near-future of clothing, our studio yearly launches collection where we showcase the near-future of images. The concept decides for the medium where these images will be shown.
Followed by our artist statement about our devotion to social and planetary justice, we digitally crafted a collection where we made prints and garments that revitalize and celebrate the sacredness of nature. Healing Prints is a collection of rebellious visuals fabricated into unique fashion statements.
Each garment is a chance to spread the contemporary altruistic message of the healing prints, by mixing the aesthetics of high fashion and digital couture.
The collection manifests in different sub-topics, such as Mother Earth, Sexual Healing, Healing from Capitalism, Power To The Earth, Silence and The Emancipation Of Flowers. We made five one off couture pieces, 3 dresses and 2 t-shirts of edition one, which we sold during a special auction performance with Luc Saucier on the evening of June 29 in our studio in Paris. It was a festive event with an enchanting Healing Print relaxation room, a music performance of David Millhouse and abundant raw cacao sniffing.
BIG BIG thank you to these dear people that helped us to make this project possible:
Luc Saucier, David Millhouse, Amandine Boiteux, Bérengère De Thonel d’Orgeix, Marc Lochner, Ariane Potapieff, Isinsu Kuzalti, Nolwenn Allarousse, Mona Soyoc, Aimee Wing Mei Man, Ylona Perkowsky, Thierry Do Nascimento, Anaïs Bocciarelli, Millie Clain, Florian Chaudat, Damien Gurzinsky, Yuan Chen, Tommy Haddock, Zsofïa Mouton-Perenyi, Jérôme Mouton, Keiichi Sakakura, Vincenzo Galante, Lami Transfer and Stimuleringsfonds creatieve industrie.
Photography: Jérôme Mouton.
Last summer, around this time, Silencio, the renown Parisian night club, designed by David Lynch, opened their doors to a temporary summer house in the south of France. We have been asked to organise a pool party with our Scandal Aqua Collection towels, which were a highly aestheticised, open minded yet critical scenario for the future of political sex scandals. The party started with a champagne breakfast and lasted till very late at night with all the guests in the pool.
This entry was written by Art, Decadence, digital craft, Digitalization, Ecstatic Surface Design, Lifestyle, Pinar&Viola, Political glam, Surface Collection. Leave a comment or view the discussion at the permalink., posted on June 15, 2016 at 7:44 pm, filed under
IKEA commissioned Pınar&Viola to create a collection of prints under their name, to go on a wide variety of IKEA products, as a part of their Limited Print Collection. On 8th of June, during Democratic Design Days in IKEA Headquarters in Almhult, Sweden, the prototypes of the collection were presented to a group of 250 journalists.
IKEA asked Pınar&Viola to create prints that would attract, inspire, and surprise people all over the world. They wanted prints which would make them dream. To respond to IKEA’s wish, P&V created a collection which is an invitation to embrace the stranger, the unknown, the alien. A collection to celebrate similarities and differences. A collection to make people fantasise about social and planetary justice, through mythical animals and creatures. A collection to embrace the other. These themes are embodied in the four worlds: forest creatures, sweet alien, birds and the bees, and Gaudi giraffe.
The collection will be launched worldwide on June 2017. If you wish to know more about this collection don’t hesitate getting in touch with us: email@example.com
This entry was written by Creatures, digital craft, Ecstatic Surface Design, Pinar&Viola, Prints and Patterns, Published, Things 'n Flings, Trending, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on at 1:38 pm, filed under
Here you see the prints we made for Paris fashion house Koché. The collection was presented during Paris Fashion Week Spring Summer 2016. All the prints are made by us from scratch, every denim hole and piece of sequin is digitally placed piece by piece, creating a true work of digital craftsmanship. Afterwards, the prints were decorated with real pieces of sequin, lace and other couture ornamentation as a three-dimensional extension of the images we designed. This is where digital and craftsman couture collide, giving birth to post-digital couture, a symbiotic life form. You can access the full review and the rest of the collection from here. Click here for an interview with Christelle Kocher (the designer/creative director of the house) and Interview Magazine.
As part of ArtCOP21, the art events surrounding the ecology summit COP21, our installation Mother Earth in Paris was shown in Gleichapel Gallery in Marais. The exhibition features an installation that unveils revamped, contemporary, environmentalist messages of peace.
Through a video installation, Mother Earth reveals her grace and wisdom on a screen surrounded by prints having elements varying from Voynich Manuscript, root vegetables, peace banners, BC cave drawings of astral travels and liquid and sensual Mother Earth. With this eclectic choice of imagery, we show that the more we are driven by technology, the more we strive for knowledge and for the recognition of the sacredness of nature.
As we recently pledged in our Artist Statement, we’ll be devoting our work in creating highly aesthetic, charismatic activisms which will offer irresistible invitations for a more truthful and humane future. Mother in Paris is the first work we created after this altruistic pledge. Hereby the thorough interview we gave to Dazed about Mother Earth.
Later on, for MTV, as their ident, we created special extracts of our Mother Earth in Paris video, with custom wisdom quotes given by the Mother Goddess, where the Mother Earth catches your gaze and asks you “Who are you when no body is watching you”.
This entry was written by Art, digital craft, Digitalization, Ecstatic Surface Design, Exhibition, Fashion, Lifestyle, Natural, Paris, Pinar&Viola, Prints and Patterns, Published, Things 'n Flings, Vernissage, Visual ecstasy. Leave a comment or view the discussion at the permalink., posted on April 11, 2016 at 2:13 pm, filed under
Our latest digitale couture became physical French couture!!!?
Kocher aims to bring together a vision of urbane contemporary dressing spliced with the exquisite crafts seldom harnessed in the real world. “It’s a melting pot of Parisian romance, Asian color-clash, the New Yorker’s cool sportswear. There are easy nylon track pants and dresses requiring hours of embroidery to create,” the designer said, as her chill cast milled around in the corridor. Point in case, a lightweight parka delicately fringed with feathers, bejeweled crop tops, or fantastic low riding jeans with a singlet one-piece. Everywhere, pseudo ethnic silver jewelry (if your tribe is the neo-raver one) twinkled and tinkled.
This is the don’t-care-for-gender dress form of athleisure, a savant mixture of the trappings of 1980s, 1990s sportswear combined with the craftsmanship of couture.
All of it smacked of questionable youthful taste, but that would be missing the painstaking attention to details where snobbery might only see dubiously printed polyester and lurid laces. By deploying the arsenal of age-old crafts on the synthetic and man-made, is Kocher breaking the last taboo, or bridging a divide no longer necessary? For the Willow and Jaden Smith generation, Koché is exactly what couture means.